| Boer War Page 4a |
|
|||||||
|
More important Canadian antique memorabilia the Museum has recently preserved.
For Related Items/Info - USE OUR SEARCH ENGINE |
||||||||



| A fabulous Victorian military tapestry found in the attic of an old barn in Wisconsin.
It appeared on the American Antiques Roadshow where it was highly evaluated. The experts were unsure of the war, perhaps the Austro-Prussian War of 1866. But since "Cossack types" seem to be getting the worst of it, from men wearing Japanese type head gear, it may be another Russo-Japanese War piece. In the background lancers are charging each other as shells are exploding overhead. It has the most gruesome war scenes we have seen in any military tapestry. Men in the foreground are brutally - is there any other way? - being bayonetted, the blades shown coming out the other side.The dying are writhing in their final agonies and two are dripping big gobs of blood from their mouths. |
|
![]() |
|
| Military Tapestry, c 1905 | |
| Orig. woven Jacquard tapestry - Size - 1.59 m x 1.59 m Found - Eagle, WI |
|
||||||||||||||||||||||||||
|
||||||||||||||||||||||||||
|
Russo-Japanese War Tapestry: This fabulous tapestry is probably the finest ever produced on a war, since the Bayeux Tapestry. It was one of several produced in 1905 that featured highlights from the Russo-Japanese War of 1904-1905.
|
||||||||||||||||||||||||||
|
||||||||||||||||||||||||||
|
The tapestry above is a huge 1.4 x 1.6 m. It is not a "press on" type of transfer but a genuine weaving, produced on a loom. Its colour is as bright as the day it was made; there are no holes, or wear marks anywhere on its surface. It is immaculate, considering is is 100 years old...
Echoing the real theatres of that war, the tapestry is split into two main panels featuring a land war and a sea war. Below, the Japanese are attacking the Russians on a hill. The weaving still features the war balloon - just as in the Boer War tapestry - run up by both sides as the "eyes" of the army, and the armoured train, steaming under clouds of exploding shells. But there have been changes. High explosive shells, first used in the Boer War, are now even more lethal, exploding with obvious deadly effect among the Japanese, below. They are being fired from modern rapid-firing guns with the aid of long-range aiming devices. They are also fired from a long way away, so far in fact, that no gun is even shown in the tapestry, just their exploding shells. Only a couple of barrels are shown poking from behind a distant hill on the top right. The Victorian practice of rushing the guns up - under fire - into the face of the enemy and setting them up to shoot is completely gone from this modern 20th century battlefield dominated by small bore quick firing magazine loaded rifles and machine guns. The artillery gunners would be dead before they would ever get a shot off. But then the technological advances of long distance aiming made this once gallant and daring practice irrelevant anyway. |
||||||||||||||||||||||||||
A new scene shows the wounded being carried to the Red Cross tent. In the coming wars the numbers of dead and wounded would outstrip the wildest imaginings of the generals. In fact, while in the Boer War, men joked they might not come back, in Wold War I, countless hundreds of thousands positively knew they would never come back, the slaughter was so horrific. A key part of the tapestry features the Japanese battleships surrounding a hapless Russian ironclad which explodes and sinks (below) as happened at the Straits of Tsushima. |
||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||
|
Making its first appearance on the battlefield, is the gasoline driven motor car (above) which brings mobility to warfare, though very few generals saw this as the key wave of the future. Most - and that includes top British generals, like Boer War cavalry commanders General French and Major Haig, for years to come - were still loathe to give up the horse, which, for thousands of years, had carried warriors into battle. Ten years later, in the thick of World War I, both men were openly skeptical that the machine gun and tank, could ever supplant an infantryman or a horse soldier. In fact, in the tapestry, this sentiment is mirrored in that the Japanese on horses, are shooting at the Russian general in his car, and send him scurrying to safety. One can almost hear his pleading cries, "My horse! My horse! My kingdom for a horse!" |
||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||
|
||||||||||||||||||||||||||
![]() |
|
|||||||||||||||||||||||||
Cossacks: Right, is another tapestry from 1905, featuring a more symmetrical pattern, reminiscent of a rug. Though some of these were no doubt used this way, these tapestries were designed to be hung on the wall, used as table cloths, or as throws, over the backs of couches.
This one features a mounted Cossack in each quadrant charging Japanese infantrymen. Cossacks are ethnic Ukrainians; probably men from this group later emigrated to Canada, glad to be leaving behind a part of the world constantly torn apart by one war after another. After that, even life in Bellis, or Pysanka, Saskatchewan, seems bearable. Almost... The Cossacks (above) - two more are charging in from the background (left) - are using lances, while the Japanese infantrymen are holding their ground with rifles and bayonet. The outmoded lance goes a long way to explaining the Russian defeat. There are no explosions or bodies in this tapestry. When you're selling to the market place you don't want to offend anyone, lest they not buy your tapestry. Both sides can see themselves in a heroic pose in this one. |
||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||
|
A Sad Tale: Another, more elaborate version of the four Cossack tapestry (left), features larger groupings of Cossack and Japanese combatants, as well as a naval central medallion (above) with ships shooting at each other à la Straits of Tsushima.
The Russian lancers look glum and sad, and well they should. The war sounded the death knell of the Russian Empire. |
||||||||||||||||||||||||||
|
||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||
|
||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||
|
||||||||||||||||||||||||||
|
c Goldi Productions Ltd. 1996 & 2000
|
||